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Inventory of the Harlan and Anna Hubbard Collection, ca. 1903-1987
klgarrg7s8 Inventory of the Harlan and Anna Hubbard Collection, ca. 1903-1987 Archives Staff University Archives and Records Center University of Louisville Ekstrom Library Louisville, Kentucky 40292 USA Phone: (502) 852-6674 Fax: (502) 852-6673 Email: archives@louisville.edu URL: http://louisville.edu/library/uarc/ n.d. Text converted and initial EAD tagging provided by Apex Data Services, May 2000. ENG Inventory of the Harlan and Anna Hubbard Collection, ca. 1903-1987 Contact Information University Archives and Records Center University of Louisville Ekstrom Library Louisville, Kentucky 40292 Phone: (502) 852-6674 Fax: (502) 852-6673 Email: archives@louisville.edu URL: http://louisville.edu/library/uarc/ Processed by: Staff Date Completed: n.d. Encoded by: Apex Data Services Copyright 2000 University of Louisville. All Rights Reserved. Hubbard (Harlan and Anna) Collection, ca. 1903-1987 RG7S8 34.85 linear ft. Hubbard, Harlan; Hubbard, Anna University Archives and Records Center Louisville, Kentucky 40292 Open to researchers Copyright has been transferred to the University of Louisville and there are no additional restrictions. [Identification of item], Harlan and Anna Hubbard Collection, ca. 1903-1987, University Archives and Records Center, University of Louisville, Louisville. Artist, writer, and back-to-nature philosopher and practitioner, William Harlan Hubbard, was born on January 4, 1900, in Bellevue, Kentucky. Bellevue, a small town on the Ohio River, is located opposite Cincinnati, Ohio. Hubbard's father, Frank Gilbert Hubbard, a paint salesman, painter, and wallpaper hanger, died when Harlan was seven years old, also leaving Harlan's mother, Rose Ann Swingle Hubbard, and two older brothers, Frank Lafayette Hubbard, nineteen, and Lucien Swingle Hubbard, seventeen. A year after his father's death, Harlan and his mother travelled to visit her sister, Molly, in a remote section of Arkansas. This first experience in rural America was to affect Harlan deeply for the rest of his life. Anna Wonder Eikenhout was born in Grand Rapids, Michigan, on September 7, 1902, the middle daughter of three. Her parents, Nellie Wonder and John Eikenhout and sisters Etta and Nella May were lovers of music and literature. Anna graduated from Ohio State University in 1925 and then taught German and French at Hope College in Holland, Michigan, before moving to Cincinnati in the late 1920s. In 1912 the Hubbard family moved into a new brick house in Bellevue. That same year, Lucien and Frank both moved to New York City to seek employment. Harlan and his mother joined the older two brothers in New York in 1915. In 1918, Harlan graduated, with honors, from Evander Childs High School, in the Bronx. While living in New York, Harlan underwent other life-changing experiences. Harlan viewed the post-impressionist exhibition at the Metropolitan Museum of Art and knew that he wanted to be a painter. Due to a shortage of workers during World War I, he spent the summers of 1917 and 1918 working on farms in the upstate region. Along with the earlier trip to Arkansas, these summers developed in him a love of the outdoors and a desire to work and live in harmony with nature. About the same time, Harlan discovered the writings of Henry David Thoreau and made the decision to spend his life combining his love of art and nature. In the fall of 1918 Harlan attended the National Academy of Design Art School in New York, but his education there was cut short by a move back to Kentucky with his mother in 1919. He then attended the Cincinnati Art Academy in 1919 and 1920. In 1923 Harlan designed and built the house (modeled after an old farm house) at 129 Highland Avenue in Fort Thomas, where he and his mother would live together for the next twenty years. From 1927-1931, Harlan used the Brent (Kentucky) Frame, Door and Sash Factory as his painting studio, usually walking from Fort Thomas to Brent each day. In 1934 he rented a cabin on River Road, just beyond Ross, Kentucky, to use as a studio, working there until 1938 when he built himself a studio in the back yard of the house on Highland Avenue. Throughout this time, Harlan sent paintings to exhibitions and competitions, often becoming despondent and demoralized over the critics' and public's response, or lack of response, to his work. A turning point in the life and career of Harlan Hubbard was meeting Anna Eikenhout, who was now working as a librarian in the Fine Arts department of the Cincinnati Public Library. Anna shared Harlan's love of art, music, and nature and turned out to be Harlan's kindred spirit. Harlan and Anna recorded their first date in January 1941, when he was forty-one and she was thirty-eight years old. Two years later, in April 1943, they married, beginning a new phase in life for each of them. Harlan's new wife was intelligent, artistic, pretty, and adored him in a way he had never thought possible. Anna continued her work at the library, while helping Harlan care for his aging and ailing mother. Seven months after the marriage, Rose Hubbard died, and Harlan and Anna decided to pursue his (and now hers as well) dream of living in a boat on the Ohio River. In early 1944 Harlan and Anna began building a shantyboat near Brent, Kentucky, living first in a tent on the shore and then on the boat itself for over two years. Anna resigned from her position at the library to devote herself to Harlan and the couple's new lifestyle. On December 22, 1946, the Hubbards began their famous drifting journey down the Ohio and Mississippi Rivers. They reached New Orleans in March 1950, and then continued to live on the shantyboat while traveling through the Louisiana bayous until July 1951, when they sold the boat, purchased a car, and traveled throughout the western United States for the several months. Searching for the perfect place to settle down and live in harmony with nature, they chose seven acres in Payne Hollow, Kentucky, where they built a house. Located on the Ohio River, near where they had begun their shantyboat adventure, this remote locale was to be their home for the rest of their lives. In 1953, the story of their travel down the river, SHANTYBOAT was published, thus beginning Harlan Hubbard's literary career. While he continued to paint and develop his reputation as an artist, Harlan and Anna Hubbard became legendary for their unorthodox and simple back-to-nature lifestyle. PAYNE HOLLOW, the story of their life on the banks of the Ohio River, was published in 1974. This was followed by HARLAN HUBBARD JOURNALS, 1929-1944, in 1987; SHANTYBOAT ON THE BAYOUS, in 1990; and SHANTYBOAT JOURNAL, in 1994. Harlan's paintings and woodcuts, mainly of boats and the river, became popular with lovers of the Ohio River. He was commissioned to do many murals and large pieces for businesses located in river towns from Milton to Owensboro. He began presenting shows in 1936, but it was not until the 1960s that his work was regularly exhibited. Throughout the 1960s, 1970s, and 1980s, his work was shown on a regular basis and he acquired regional acclaim for his depictions of life on the river. His artwork is featured in OYO, AN OHIO RIVER ANTHOLOGY, (volumes 1, 2, and 3, edited by Don Wallis, Yellow Springs, OH: OYO Press, 1987, 1988, and 1990); HARLAN HUBBARD AND THE RIVER: A VISIONARY LIFE, (Don Wallis, Yellow Springs, OH: OYO Press, 1989); THE WOODCUTS OF HARLAN HUBBARD: FROM THE COLLECTION OF BILL CADDELL, (Lexington: University Press of Kentucky, 1994); as well as in numerous journals. Anna Eikenhout Hubbard died in May 1986, after more than forty years of quietly taking care of Harlan and giving him the support and companionship needed for him to carry on his unique lifestyle. Harlan continued to live at Payne Hollow until his death in January 1988, raising his own food and cutting his own firewood, until just a few months before he died. Recent publication of books written by Harlan (and Anna) and about them show a continuing popular interest in the Hubbards and their life. Prior to Anna's death, they had donated a large portion of his art collection to Hanover College in Hanover, Indiana. Later Harlan gave his and Anna's personal papers, along with other pieces of art, to the University of Louisville Archives and Records Center. Here the papers are available for research by scholars interested in the literary work, the artwork, and the lifestyle of Anna and Harlan Hubbard. Timeline 1900 William Harlan Hubbard was born on January 4 at 332 Grandview Ave., Bellevue, Kentucky, (a small town on the Ohio River in the extreme northern part of the state, opposite Cincinnati, Ohio.) PARENTS: Frank Gilbert Hubbard ([1859]-1907), paint salesman, house painter, paper hanger and Rose Ann Swingle Hubbard (1861-1943), former typesetter for THE CHAMPAGNE GAZETTE. They were married on January 2, 1886 in Champaign, Illinois. BROTHERS: Frank Lafayette Hubbard, (1887-?), newspaper and free-lance artist. Lucien Swingle Hubbard (1889-1972), movie script writer and producer. 1902 Anna Wonder Eikenhout was born on September 7 to John Eikenhout, businessman, and Nellie Wonder Eikenhout, homemaker, of Grand Rapids, Michigan. This music-loving Dutch family already had one daughter, Etta, and would have a third, Nella May, a few years after the birth of Anna. 1908 A trip that Harlan took with his mother to visit her sister Molly in a remote section of Arkansas affected him greatly. 1912 The Hubbard family moved to new brick house on eastern edge of Bellevue, Kentucky. Lucien married and moved to New York and Frank followed soon after. 1915 Harlan moved with his mother to New York, joining Frank and Lucien. 1917-18 During the summers, Harlan volunteered for farm work in upstate New York. (There was a shortage of workers due to World War I.) 1918 Harlan graduated with honors from Evander Childs High School in the Bronx. He then attended National Academy of Design Art School. 1919 Harlan moved with his mother back to Fort Thomas, Kentucky. 1919-20 Harlan attended Cincinnati Art Academy. 1923 Harlan designed and built a house (modeled after old farmhouse) at 129 Highland Ave in Fort Thomas. He and his mother lived there together for the next twenty years. 1924 Frank sent their father's violin to Harlan. Harlan traveled to New York City for a visit and violin instruction. 1925 Anna Eikenhout graduated from Ohio State University and then taught French and German at Hope College in Holland, Michigan. 1926 Two of Harlan's pieces were accepted for the annual exhibition at the Cincinnati Art Museum. 1927 Harlan had one piece accepted for the annual exhibition at the Cincinnati Art Museum. 1927-31 Harlan used space at Brent Frame, Door and Sash Factory as a painting studio. He usually walked from Fort Thomas to Brent each day. 1929-31 Harlan continued to take violin lessons and he purchased a new violin. 1930 Harlan sent two pieces to the National Academy of Design exhibition, then called himself "presumptuous." Anna was working as a librarian in the Fine Arts Department of the Cincinnati Public Library and living in Cincinnati with her sister Etta and friend Barre Pritchett. 1931 Harlan submitted a piece to a juryless exhibition at the Cincinnati Art Museum, then the placement of the piece in the last room demoralized him. 1934 Harlan joined the Public Works of Art Project and painted a mural over the proscenium of the stage in the Covington (Kentucky) Library auditorium. Harlan rented a cabin on River Road, between 8-Mile and 10-Mile roads, just beyond Ross, Kentucky, to use as studio. In November he renewed the lease for one-year, sharing it with his friend Dr. Clay Crawford. 1935 In September, Harlan took a twenty-one day canoe trip, spending a total of $7.42. 1936 Harlan showed his work at an exhibition at Getz-Brown Gallery. He was paid $129.80 for his share of the sale of five pieces. 1937 Harlan's entries for the annual exhibition at the Cincinnati Art Museum were rejected, for the ninth year in a row. 1938 Harlan built a studio in the backyard of Fort Thomas house and moved there from the Ross studio. 1941 In January, Harlan had his first date with Anna Wonder Eikenhout, librarian at the Cincinnati Public Library Fine Arts Department. 1942 Anna and Harlan took a five-day canoe trip on the Licking River in May. 1943 Harlan and Anna were married on April 5. They traveled to Michigan and Wisconsin to visit Anna's family and friends from July through September. 1944 In February, Anna and Harlan took an eight-week trip to the East, visited Frank and family and hiked through the Catskills, the Shenandoah area, and the Blue Ridge Mountains. Anna and Harlan began building a shantyboat at Brent, Kentucky, living there for two years. 1946 On December 22, they began shantyboat trip down Ohio and Mississippi Rivers. They ended up in bayou country of Louisiana. 1950 The Hubbards reached New Orleans in March, after traveling 1,385 miles down the Ohio and Mississippi Rivers. 1951 Anna and Harlan continued to live on the shantyboat while traveling through the Louisiana bayous. The Hubbards sold the boat in Delcambre, Louisiana, purchased a car for the return trip to Kentucky. In September, they headed out west for trip by car, visiting Los Angeles and San Francisco, returning home to Fort Thomas in April 1952. 1952 Anna and Harlan settled in Payne Hollow, Kentucky, in June. Harlan began building a house and furniture. 1953 Harlan's first book: SHANTYBOAT was published in November. 1973-75 Harlan wrote a family history entitled "A Hubbard Manuscript" for his family. 1974 PAYNE HOLLOW was published. 1980 Anna wrote her memoirs. 1981 LIFE ON THE FRINGE OF SOCIETY, a video about Harlan and Anna Hubbard was produced by Morgan Productions of Newport, Kentucky and broadcast on KET. 1983 In September Harlan was bitten by a copperhead and required hospitalization. 1986 A reception was held at Hanover College (Hanover, Indiana) in early spring, to honor the Hubbards for their donation of artwork. On May 4, Anna Eikenhout Hubbard died in Madison, Indiana. In June, a memorial service was held at Payne Hollow for Anna. Harlan Hubbard donated his personal papers to the University Archives and Records Center at the University of Louisville in November. On December 11, Harlan received the Kentucky Governor's Award for Lifetime Achievement in the Arts. 1987 HARLAN HUBBARD JOURNALS, 1929-1944 were published. 1988 On January 16, Harlan Hubbard died at the home of friends in Madison, Indiana. A memorial service for Harlan was held at Hanover College on February 6. 1989 HARLAN HUBBARD AND THE RIVER: A VISIONARY LIFE, by Don Wallis was published. The University Archives and Records Center received items for inclusion in the Hubbard Papers from Etta Eikenhout Crossley. A Hubbard Symposium was held at Hanover College, Hanover, Indiana on April 29. 1990 SHANTYBOAT ON THE BAYOUS was published, as well as HARLAN HUBBARD: LIFE AND WORK, by Wendell Berry. The University Archives and Records Center received items for inclusion in the Hubbard Papers from Paul Hassfurder. 1991 The University Archives and Records Center received items for inclusion in the Hubbard Papers from Brother Benedict (aka Harvey Simmonds), Remi Boissonnas, and Bill Caddell. 1993 The University Archives and Records Center received items for inclusion in the Hubbard Papers from the Madison Bank and Trust Company. 1994 THE WOODCUTS OF HARLAN HUBBARD: FROM THE COLLECTION OF BILL CADDELL, and SHANTYBOAT JOURNAL, edited by Don Wallis, were published. 1995 The University Archives and Records Center received items for inclusion in the Hubbard Papers from Mr. and Mrs. Fred Brock and Mr. and Mrs. Paul Mims. In June, the Harlan and Anna Hubbard Papers were officially opened to researchers at the University of Louisville Archives and Records Center. The Archives also mounted an exhibit highlighting the lives and works of the Hubbards in the lobby of the William F. Ekstrom Library. The papers of Harlan and Anna Eikenhout Hubbard make up a 34.75 linear foot collection dating from approximately 1903 to 1987. The major series in the collection are those of correspondence, journals, literary production, artwork, and Anna Hubbard's papers. There is 7.5 linear feet of correspondence, mainly incoming, which gives examples of the wide variety of friends and acquaintances of the Hubbards. Harlan's journals and notes provide an intimate picture of the man, in his own words, especially from 1929-1944 and 1979-1987. The literary production consists of drafts of almost all of his published work, along with some which was never published. Probably of most interest is the collection of his artwork, much of which is sketches and studies for sketches, but also many small paintings, and related materials about exhibits dating from 1938 to 1988. Anna's papers include her pre-marriage correspondence, her journals and notes, her literary output, and ephemera, dating from her birth to 1982. The University of Louisville Archives and Records Center received the papers of Anna and Harlan Hubbard in seven separate acquisitions. The first and largest being from Harlan Hubbard himself in 1988. Otherdonations came from Etta Crossley, (sister of Anna Hubbard), in 1989; Paul Hassfurder in 1990; Bill Caddell, Brother Benedict Simmonds, and Remi Boissonnas in 1991, the Madison Bank and Trust by gift in 1993, and from Don Wallis in 1995. Due to the nature of the papers received, all except the 1995 accretion were processed together as one large collection. The final processing was funded by a grant from the University of Louisville Library Associates. Container List 1 CORRESPONDENCE Boxes (1-16), 7.5 linear feet This large series consists of the correspondence of Harlan and Anna Hubbard (Harlan's dating from 1910, Anna's dating from their marriage in 1943) as well as address lists and some third party correspondence. The series is divided into three sub-series: incoming correspondence, arranged alphabetically by name of correspondent; outgoing correspondence, arranged chronologically; and other related items such as address books, lists of correspondents, and third party correspondence. Incoming 1 1. Unidentified, 1953-1987 1 2. Unidentified, 1953-1988 1 3. Unidentified, 1967-1987 1 4. Ac - Al, 1954-1987 1 5. Adkins, Lillian (Mrs. Jack), 1961-1968 1 6. Am - An, 1956-1987 1 7. Ap - Av, 1953-1986 2 1. Ba, 1953-1988 2 2. Bartnick family (George, Lucien, Lynda Sue), 1987-1988 2 3. Be, 1953-1987 2 4. Bi, 1953-1987 2 5. Bo, 1953-1988 2 6. Bobbs-Merrill Company, 1959 2 7. Boissonnas, Remi and June, 1983-1987 2 8. Bond, Anna K., 1952-1958 2 9. Boram, Clifford, 1958-1979 2 10. Br, 1944-1987 2 11. Brown, Edie 1944-1953 2 12. Bu, 1953-1988 3 1. Ca, 1953-1988 3 2. Caddell, Bill and Rheta, 1974-1986 3 3. Cayvan, Leo and Alice, 1944-1953 3 4. Ch - Cl, 1928-1987 3 5. Co, 1953-1986 3 6. Cr, 1953-1984 3 7. Cu, 1954-1984 3 8. Da, 1961-1978 3 9. De - Di, 1953-1987 3 10. Dobbs, Mead & Co., 1953-1988 3 11. Doster, Mike and Ellen, 1983-1989 3 12. Du, 1953-1975 3 13. Dunlap, Marie and Alice, 1952-1975 4 1. Eakins Press (Leslie Katz, Harvey Simmonds), 1972-1974 4 2. Eakins Press (Leslie Katz, Harvey Simmonds), 1975-1986 4 3. Eikenhout, Etta (aka Etta Price or Etta Crossley), 1944-1956 4 4. Eikenhout, Nell (aka Mrs. John Eikenhout), 1944-1953 4 5. Eikenhout, Nella May (aka Nella May Bartnick), 1943-1952 4 6. Ea - Ei, 1958-1988 4 7. Ei - Ev, 1954-1983 5 1. Fa -Fe, 1954-1987 5 2. Fall, Herbert and Lucy, 1953-1975 5 3. Fi - Fr, 1953-1987 5 4. Ga - Go, 1953-1987 5 5. Gr - Gy, 1954-1987 5 6. Ha - Ham, 1954-1987 5 7. Han - Haz, 1957-1987 5 8. Harper & Row, 1980-1986 5 9. He - Hi, 1954-1987 6 1. Ho, 1950-1987 6 2. Hoehn, Charles and Minnie, 1941-1988 6 3. Hu - Hy, 1953-1988 6 4. Hubbard, Anna, 1973 6 5. Hubbard, Betty (aka Betty Heasley or Betty Gilbert), 1972-1987 6 6. Hubbard, Frank, 1932 6 7. Hubbard, Frank and Frances, 1944-1953 6 8. Hubbard, Frank and Frances, 1954-1958 6 9. Hubbard, Frank and Marie, 1971-1977 6 10. Hubbard, Frank and Marie, 1978-1979 6 11. Hubbard, Frank and Marie, 1980-1981 6 12. Hubbard, Frank and Marie, 1982-1985 6 13. Hubbard, Frank, Diane, Polly, and Julia, 1976-1988 6 14. Hubbard, Janet (aka Janet Seitz), 1974-1977 6 15. Hubbard, Lucien and Alice, 1950s 7 1. I, 1954, 1972 7 2. Ja, 1971-1978 7 3. Jo, 1953-1987 7 4. Ka - Ke, 1954-1987 7 5. Ki - Ku, 1953-1986 7 6. La, 1952-1988 7 7. Le - Li, 1954-1987 7 8. Learned, Catherine (aka Kay Learned), 1944-1974 7 9. Lo -Ly, 1956-1978 7 10. Lueders, Edward and Judy, 1973-1975 8 1. Ma, 1943-1988 8 2. Mc, 1952-1986 8 3. Me, 1959-1987 8 4. Mi, 1944-1984 8 5. Mitchell, Ted and Lucille, 1953-1987 8 6. Mo, 1953-1987 8 7. Mu, 1974-1987 8 8. Na - Ne, 1964-1983 8 9. Nelson, Dolph and Hannah, 1958-1974 8 10. Ni - Nu, 1953-1987 8 11. Oc - On, 1956-1987 8 12. Or - Oz, 1953-1986 9 1. Pa, 1961-1988 9 2. Palmer, Tim and Lowell, 1944-1974 9 3. Pe, 1953-1983 9 4. Ph - Po, 1954-1988 9 5. Potts, Elisabeth and George, 1952-1984 9 6. Pr - Pu, 1953-1987 9 7. Pritchett, Barre, 1943-1953 9 8. Q - Re, 1943-1987 9 9. Ri, 1953-1987 9 10. Ro, 1943-1988 9 11. Ru, 1967-1987 10 1. Sa - Sc, 1953-1988 10 2. Se, 1964-1987 10 3. Sh - Sn, 1953-1987 10 4. Simmonds, Harvey (Eakins Press), 1972-1987 10 5. So - Ste, 1943-1987 10 6. Staebler, Warren and Patricia, 1944-1984 10 7. Sta - Str, 1944-1988 10 8. Stoll, C.W. and Lucy, 1968-1982 10 9. Su - Sy, 1952-1983 10 10. Ta - Te, 1955-1988 10 11. Th - Tw, 1953-1988 10 12. Thiele, Lee and Arthur, 1944-1974 10 13. Tilden, Elwyn, 1955-1988 11 1. U - V, 1954-1976 11 2. University of Pittsburgh Press (Vince Kohler, Charles Acton), 1973-1986 11 3. University Press of Kentucky (Jerome Crouch, Jonathan Greene, Willis Popenoe), 1972-1986 11 4. Van Ess, Helen, 1944-1968 11 5. Wa, 1940-1987 11 6. We, 1954-1988 11 7. Webber, Hildie and Robert, 1944-1974 11 8. Weeter, Joanne, 1987-1988 11 9. Wh, 1954-1987 11 10. Wi, 1953-1988 11 11. Wo - Wy, 1928-1984 11 12. X - Z, 1974-1987 Outgoing 12 1. 1910, to Lucien Hubbard 12 2. n.d., 1920s, to Frank Hubbard 12 3. 1930s, to Frank Hubbard 12 4. 1940-1941, to Frank Hubbard 12 5. n.d., 1941, 1944, to Anna 12 6. 1942-1943, to Frank Hubbard 12 7. 1944, to Frank Hubbard 12 8. 1945, to Frank Hubbard 12 9. 1946-1947, to Frank Hubbard 12 10. 1947-1949, to Herbert Fall 12 11. 1948-1949, to Frank Hubbard 12 12. 1950s 12 13. 1950s, to Frank Hubbard 12 14. 1950-1952, to Herbert Fall 13 1. 1960s 13 2. 1960s, to Bill and Rheta Caddell 13 3. 1970s 13 4. 1970s, to Bill and Rheta Caddell 13 5. 1972-1981, Journal of outgoing correspondence 13 6. 1971-1975, to Harvey Simmonds (Eakins Press) 13 7. 1976-1979, to Harvey Simmonds (Eakins Press) 13 8. 1976-1981, to Majorie Mundt 13 9. 1980s 13 10. 1980-1981, to Harvey Simmonds (Eakins Press) 13 11. 1980-1983, to Stephanie 13 12. 1981-1982, to Bill and Rheta Caddell 13 13. 1981-1984, to Etta Crossley 13 14. 1982 13 15. 1983 13 16. 1984 14 1. 1985 14 2. February-June 1985, to Etta Crossley 14 3. July-December 1985, to Etta Crossley 14 4. 1986 14 5. 1986, to Etta Crossley 14 6. 1987 14 7. 1987, to Etta Crossley 14 8. Address Lists Other third party correspondence and related items 15 1. From Lucien Hubbard, 1898-1910 15 2. From Barre Pritchett, 1930s 15 3. To Lucien and Frank Hubbard, 1932, 1953 15 4. To and from Harvey Simmonds (aka Brother Benedict), 1971-1988 15 5. From Bill Caddell, re: PAYNE HOLLOW 15 6. To Remi Boissonnas, re: VALLEUSE DE PAYNE, 1984 15 7. To Etta Crossley (aka Etta Price), 1986-1988 15 8. Other third party, 1944, 1988 16 Card file of correspondents, 1944-1982 2 LEGAL AND FINANCIAL RECORDS Box (17), .25 linear feet There is a small amount of legal and financial paperwork in this series which includes a copy of Harlan and Anna's marriage certificate. The bulk of the material is from three specific time periods: the 1920s, 1943-1944, and 1985. Legal paperwork which deals with book publishing and art sales is found in series four and five respectively. 17 1. Bank and financial records, 1920s 17 2. Bank records, 1942-1944 17 3. Bank records, 1982-1985 17 4. Marriage certificate, 1943 17 5. Tax records, 1943-1944, 1985 17 6. Receipts, utilities and supplies, 1943-1944 17 7. Contel, 1985 17 8. Medicare, 1985 17 9. Public Service Indiana, 1985 17 10. Miscellaneous receipts, 1943-1985 3 JOURNALS, DIARIES, AND NOTES Boxes (18, 34-35), 2.75 linear feet Harlan Hubbard was a prolific journal writer. This series contains journals kept by Harlan Hubbard and miscellaneous notes to himself, dating from 1923 to 1987. The journals tend to be fairly complete from 1929-1944, then continue through the 1950s and into the 1960s with regular but widely-spaced entries. There is nothing listed for the years 1972-1978. The journals begin again in 1979 and end in 1987. There is also a complete set of guest registers in this series, dating from 1944-1986. 18 1. Undated 18 2. 1923 Ledger 18 3. Small pocket notebook, March 18, 1929 - December 7, 1931 18 4. Recopied journal entries, 1930-1931 18 5. January 1 - October 24, 1930 18 6. October 27, 1930 - August 11, 1932 18 7. August 20 - December 31, 1932 18 8. January 3 - November 21, 1933 18 9. November 29, 1933 - December 21, 1935 18 10. January 8, 1936 - December 30, 1937 18 11. January 3, 1938 - October 6, 1944 18 12. September 7, 1943 - July 1949 18 13. Birds, 1943-1949 18 14. "Ira's Dream," 1944 18 15. Finances, 1944-1955 18 16. River, 1945-1959 18 17. April 3 - December 2, 1950 18 18. Goats, 1951-1962 18 19. September 29, 1951 - April 30, 1952 18 20. Notes from the log, 1952-1970 18 21. May 14, 1952 - March 28, 1953 18 22. March 28, 1953 - February 27, 1954 18 23. Birds, 1953-1962 18 24. Garden, 1953, 1956, 1963-1964 18 25. March 1 - December 19, 1954 18 26. January 6 - December 27, 1955 18 27. 1956 18 28. 1957 18 29. December 21, 1957 - December 31, 1958 18 30. August 23 - November 23, 1959 18 31. January 4, 1959 - December 21, 1960 18 32. 1961 18 33. January 1 - March 30, 1962 18 34. April 1, 1962 - March 31, 1963 18 35. April 1 - October 25, 1964 18 36. October 26, 1964 - February 10, 1968 18 37. February 12, 1968 - February 6, 1971 18 38. February - June 1979 18 39. September 1983 18 40. May 1986 - February 1987 18 41. June - December 1986 18 42. March - July 1987 18 43. Journal fragments (photocopies,) 1942-1986 18 44. Book list, 1943-1978 18 45. Gift list, 1964-1971 18 46. Guest Book, 1944-May 5, 1963 18 47. Guest Book, May 16, 1963 - January 1, 1972 18 48. Guest Book, January 2 1972 - January 13, 1973 18 49. Guest Book, January 20, 1973 - December 12, 1977 18 50. Guest Book, December 17, 1977 - December 30, 1980 18 51. Guest Book, January 2, 1981 - September 27, 1986 18 52. Guest Register, December 3, 1978 - February 2, 1986 18 53. Miscellaneous notes, [1970s] 18 54. Booklists, no date 18 55. Library notes, 1970s 18 56. Library notes, 1970s and 1980s 4 LITERARY PRODUCTIONS Boxes (19-20, 35), 2.75 linear feet Much of the literary output of Harlan Hubbard can be found in this series. It is divided into subseries of books, followed by articles and stories, and then other works. Books are organized chronologically by date of publication. Each published work is organized in order of drafts, manuscripts, notes, reviews, and then other items referring to the book. Next comes articles and stories organized in the same manner. The last items in the series are other works, published and unpublished. SHANTYBOAT (published 1953, 1977) 19 1. Draft, Chapter 1, pages 1-32 19 2. Draft, Chapter 2, pages 33-66 19 3. Draft, Chapter 3, pages 67-97 19 4. Draft, Chapter 4, pages 98-121 19 5. Draft, Chapter 5, pages 122-155 19 6. Draft, Chapter 6, pages 156-180 19 7. Draft, Chapter 7, pages 181-247 19 8. Draft, Chapter 8, pages 248-285 19 9. Draft, Chapter 9, pages 286-380 (missing pages 366-67) 19 10. Draft, Chapter 10, pages 381-418 19 11. Draft, Chapter 11, pages 419-461 19 12. Final Draft, Chapter 1, pages 7-32 (missing pages 1-6) 19 13. Final Draft, Chapter 2, pages 33-66 19 14. Final Draft, Chapter 3, pages 67-97 19 15. Final Draft, Chapter 4, pages 98-121 19 16. Final Draft, Chapter 5, pages 122-155 19 17. Final Draft, Chapter 6, pages 156-180 19 18. Final Draft, Chapter 7, pages 181-247 19 19. Final Draft, Chapter 8, pages 248-285 19 20. Final Draft, Chapter 9, pages 286-380 19 21. Final Draft, Chapter 10, pages 381-418 19 22. Final Draft, Chapter 11, pages 419-461 19 23. Illustrations 19 24. Reviews, Articles, Clippings 19 25. Legal and other miscellaneous related items PAYNE HOLLOW (published 1974) 19 26. First Draft, Chapters 1-11, pages 1-93 19 27. First Draft, Chapters 12-19, pages 94-195 19 28. Second Draft 19 29. Third Draft 19 30. Fourth Draft 19 31. Illustrations and other related items 19 32. Legal and promotional material (Eakins Press), 1973-1975 19 33. Reviews and articles 19 34. Excerpt in the opening night program of the Kentucky Center for the Arts, November 19, 1983 19 35. Manuscript for VALLEUSE DE PAYNE, translated by Remi Boissonnas, [1986] 19 36. Excerpt in OHIO MAGAZINE, December, 1987 HARLAN HUBBARD JOURNALS, 1929-1944 (published 1987) 20 1. "A Hubbard Manuscript," manuscript, [1975] 20 2. "A Hubbard Manuscript," 1975 20 3. "A Hubbard Manuscript," 1975 20 4. Commentaries, 1-16, drafts 20 5. Draft and introduction, version 1 20 6. Commentary and dedication to Anna 20 7. Introduction, pages 1-27 20 8. Manuscript, introduction and pages 1-54 (1929-1931) 20 9. Manuscript, pages 55-148 (1932-1935) 20 10. Manuscript, pages 149-242 (1936-1944) 20 11. Reviews, promotional material, and miscellaneous, 1987 SHANTYBOAT ON THE BAYOUS (published 1990) 20 12. Notes and drafts 20 13. Original version (carbon copy) 20 14. Second version, some pages missing 20 15. Excerpt, "Bayou Chene," read by Harlan Hubbard at the Trimble County Library, circa 1980 Articles, short stories, published and unpublished works 20 16. Miscellaneous, undated 20 17. "Trading Boat," notes, undated 20 18. "Trading Boat," second version manuscript, undated 20 19. "Halloween," one-act play, circa 1946-1952 20 20. "O Little Town of Bethlehem," The COURIER-JOURNAL MAGAZINE, November 6, 1955, page 47 20 21. "On the Fringe of Society," speech at Indiana University Southeast, April 6, 1972 20 22. Interview of Harlan Hubbard, September 28, 1982 5 ARTWORK AND RELATED ITEMS Boxes (21-25, 27, Loose), 12 linear feet Harlan Hubbard is renowned primarily as an artist, making this series of original and reproductions of his works of art especially important. The series is made up of examples of the artwork of Harlan Hubbard, followed by slides and photographs of his work, and exhibit information such as notices, invitations, posters, reviews, and guest books. 21 1. Studies for sketches 21 2. Studies and sketches on stiff board 21 3. Studies and sketches on stiff board 21 4. Studies and sketches on stiff board 21 5. Sketches, mounted 21 6. Sketches, mounted (mainly for PAYNE HOLLOW) 21 7. Woodblock prints 22 1. Sketches with charcoal backing 22 2. Sketches for Anna 22 3. Sketches 22 4. Painting on metal tile 22 5. Painting on metal tile 22 6. Painting on metal tile 22 7. Painting on metal tile 22 8. Painting on metal tile 22 9. Painting on metal tile 22 10. Painting on metal tile 22 11. Painting on metal tile 22 12. Painting on metal tile 22 13. Painting on metal tile 22 14. Painting on metal tile 22 15. Painting on metal tile 22 16. Painting on metal tile 22 17. Painting on metal tile 22 18. Painting on metal tile 22 19. Painting on metal tile 22 20. Painting on metal tile 22 21. Painting on metal tile 22 22. Painting on metal tile 22 23. Painting on metal tile 22 24. Painting on metal tile 22 25. Painting on metal tile 22 26. STERNWHEELER, 6 (Spring 1981), woodcut by Harlan Hubbard on the cover 22 27. Cover of "A Hubbard Manuscript" Twelve pieces of artwork, matted 23 (Oversized) #24 TEXAS ROAD watercolor and fountain pen 23 (Oversized) # 6 No title watercolor and crayon 23 (Oversized) #53 No title watercolor 23 (Oversized) #26 CALIFORNIA DESERT watercolor 23 (Oversized) #23 DESERT watercolor 23 (Oversized) #22 No title watercolor 23 (Oversized) #21 No title watercolor 23 (Oversized) #19 No title watercolor 23 (Oversized) #10 FT. ADAMS, MISSISSIPPI watercolor 23 (Oversized) #54 OHIO RIVER watercolor 23 (Oversized) #27 No title watercolor 23 (Oversized) #30 TOW & BARGE woodblock print Thirteen pieces of artwork, matted 24 (Oversized) #43 FARM woodblock print (multi-color) 24 (Oversized) # 9 RIVERBANK woodblock print 24 (Oversized) # 5 HILLSIDE woodblock print 24 (Oversized) #41 COUNTRY CHURCH fountain pen 24 (Oversized) #34 LOUISIANA BAYOU fountain pen 24 (Oversized) #32 BACKWATER fountain pen 24 (Oversized) #36 No title pencil 24 (Oversized) #28 STEAMPACKET pencil 24 (Oversized) # 7 FARM crayon and pencil 24 (Oversized) #40 CINCINNATI RIVERFRONT pencil (Study for mural) 24 (Oversized) #20 No title woodblock print 24 (Oversized) #37 STUDY FOR PAINTING pencil and crayon 24 (Oversized) #56 BRENT, KENTUCKY watercolor Loose oversized art work 24 (Oversized) SHANTYBOAT print 24 (Oversized) QUEEN CITY print 24 (Oversized) DIE STADT painting on board Slides of Harlan Hubbard artwork 25 1. Three sleeves (thirty-three slides), undated 25 2. J. Shoffstall (nine slides), September-October 1984 25 3. Kentucky Art Commission Traveling Show (two sleeves, thirty-three slides), November 1983 25 4. Paul Hassfurder (five sleeves, eighty-two slides), September 1983 25 5. Franklin Klaine (five slides), "Summer," 1985 25 6. Robert Hart, (two slides), 1977 Photos of Harlan Hubbard artwork 25 7. FULL STEAM AHEAD and ROBERT GILLHAM, black and white photos by E. Reott, 1983 25 8. Two color photos of Marge Webster and a Harlan Hubbard painting in her London home, no date 25 9. Black and white photo of painting "Str. Argand," [1967] 25 10. Forty-eight photos of paintings, no date 25 11. Ten photos of woodblock prints 25 12. Twenty-two black and white photos of steamboat paintings 25 13. Thirty-six color photos of paintings, some labeled 25 14. Two photos of mural in Farmers Bank of Milton, Kentucky, 1963 Art Exhibits 25 15. Miscellaneous, 1950-1986 25 16. Getz-Brown Gallery, February-March 1938 25 17. Ryerson Gallery, Grand Rapids, Michigan, December 1953 25 18. Fine Arts Department, Cincinnati Public Library, February 1954 25 19. Earlham College, Richmond, Indiana, May 1954 25 20. Louisville Free Public Library, May 1954 25 21. Farmers' Bank of Milton, Milton, Kentucky, January 1963 25 22. Fultz's Fiesta, Madison, Indiana, March 1964 25 23. Spindletop Research, Lexington, Kentucky, May-June 1965 25 24. Hanover College, Hanover, Indiana, November-December 1965 25 25. American Commercial Lines, Jeffersonville, Indiana, September-October 1966 25 26. Hanover College, Hanover, Indiana, February 1968 25 27. Citizens State Bank, Owensboro, Kentucky, July 1969 25 28. Bedford Loan & Deposit, Bedford, Kentucky, November 1970 25 29. Key West Shrimp House, Madison, Indiana, May 1971 25 30. Sassafras Shop, Westville, Indiana, July 1972 25 31. Prospector's Antiques, Louisville, Kentucky March 1974 25 32. Carnegie Art Center, Covington, Kentucky, December 1978-January 1979 25 33. Fine Arts Gallery, Northern Kentucky University, February-March, 1981 25 34. Carnegie Art Center, Covington, Kentucky, March-May 1981 25 35. Swearingen Gallery, Louisville, Kentucky, May-June [1981] 25 36. Gallery One, First National Bank, Louisville, September-October 1981 25 37. Market House Gallery, Paducah Art Guild, Paducah, Kentucky, November 1981 25 38. Hanover College, Hanover, Indiana, March-April [1983] (also see Box 27) 25 39. Gallery One, First National Bank, Louisville, July 1983 25 40. Appalachian Spring Gallery, Fort Thomas, Kentucky, December 1983 25 41. Behringer & Crawford Museum, Covington, Kentucky, March 1986 25 42. Kentucky Historical Society, Frankfort, Kentucky, October 1986-January 1987 25 43. Hanover College, Hanover, Indiana (includes ten photos), February 1986 (Permanent exhibit) 25 44. J.B. Speed Art Museum, Louisville, July-August 1988 25 45. Visitor register from various exhibits, 1954-1978 6 PRINTED MATERIAL Box (26), 1 linear foot This small series includes biographical and genealogical information about William Harlan Hubbard and Anna Wonder Eikenhout Hubbard as well as newsclippings and other writings. The newsclippings are subdivided into those which are biographical in nature (in chronological order) and others, arranged alphabetically, by topic. 26 1. Miscellaneous, 1943-1977 26 2. U.S. Corps of Engineer Navigation charts of the Ohio River 26 3. Copies of text to Schubert songs 26 4. Biographical sketches of Anna and Harlan by Dorothy E. Pryor (no date) and Marian Emmons (1977) 26 5. Newsclippings on boats 26 6. Newsclippings, biographical, 1950s 26 7. Newsclippings, biographical, 1960s 26 8. Newsclippings, biographical, 1970-1974 26 9. Newsclippings, biographical, 1975-1979 26 10. Newsclippings, biographical, 1980s 27 (oversize) 11. "They've Stayed Away From It All," COURIER-JOURNAL MAGAZINE, January 19, 1964, 16-22, laminated into book form 7 PHOTOGRAPHS AND EPHEMERA Box (26), 1 linear foot This series consists mainly of photographs, a few dating back to Harlan's early childhood. Most of them are from the 1940s and the 1980s. Along with the photographs are a few items of ephemera and keepsakes. NOTE: Also see Box 27 Photographs 26 11. Sixteen black and white snapshots, no date 26 12. Black and white group photo, "Faculty of the Art Academy of Cincinnati," no date 26 13. Three black and white photos; two of Harlan, one of brick building, [1940s] 26 14. Eight black and white mounted photos of Payne Hollow and Harlan and Anna, by WJS, no date 26 15. Three black and white mounted photos of Payne Hollow and Harlan and Anna, by Len Osbourn, no date 26 16. Five black and white photos and snapshots of boats, no date 26 17. Sepia studio portrait of Nella May Eikenhout, [1940s] 26 18. One negative, labeled "House (built by Harlan in 1923) and car" 26 19. Two color photos of house at Payne Hollow, by Dave Ward 26 20. Five black and white snapshots of Harlan's childhood, circa 1903-1910 26 21. Thirteen black and white snapshots of the Eikenhout family, 1930s-1940s 26 22. Thirteen black and white snapshots, 1939-1944 26 23. Seven black and white snapshots (two with Harlan and Anna), circa 1940s 26 24. Four black and white shapshots and one black and white studio photo of unidentified individual [Barre Pritchett] [1941] 26 25. Eight black and white snapshots of Harlan and Anna, 1941-1943 26 26. Five black and white snapshots of 1006 Madison, January 1943 26 27. Nine black and white snapshots of the Magaw family, 1940s 26 28. Seven black and white snapshots, interior of 3027 Clifton, April 1943 26 29. Fourteen black and white snapshots of canoe trip (with written log,) 1943 26 30. Sixteen black and white snapshots, Summer 1943 26 31. Eight black and white snapshots, [Anna's relatives] December 1943 26 32. Three black and white snapshots of apartment, November 1944 26 33. Four photos (three color, one black and white) of Harlan and Anna, 1967-1978 26 34. Photocopy of snapshot [Anna with the Bartnicks], 1977 26 35. Four black and white photos of Harlan and Anna by Tom Hennes, 1979 26 36. Six black and white photos of the cellar at Payne Hollow, [1980] 26 37. Fourteen matted black and white photos of Payne Hollow and Anna and Harlan by Guy Mendes, [1983] 26 38. Two color photos of Harlan in a boat [by Joe Peebles], 1983 26 39. One black and white photo of Payne Hollow by Hans Bauer, 1984 26 40. Two color snapshots, Anna and Harlan at Christmas, by Hans Bauer, [1985] 26 41. Twenty-seven color snapshots of memorial service for Anna, June 1986 26 42. Thirty-six color snapshots of moving Anna's piano, November 1986 26 43. Sixteen color snapshots of Payne Hollow (and one other,) 1986-1988 26 44. Videotape, LIFE ON THE FRINGE OF SOCIETY 26 45. Miscellaneous, (also see Box 27) [1938-1976] 26 46. Artwork (also see Box 27), no date 26 47. Program, Governor's Awards in the Arts, December 11, 1986 26 48. Awards, 1969, 1981 (also see Box 27) Oversize 27 (oversize) Wood shaving used for correspondence from Robert Acland, Louisville, Kentucky. (See Box 1, folder 4 for text) 27 (oversize) Diploma, Evander Childs High School, June 1918 1986 Governor's Arts Award, 1986 27 (oversize) Work of art - "The Visitation" by Sadao Watanabe 27 (oversize) Large scrapbook of photographs and clippings about the river and boats 27 (oversize) 1979-1980 Kentucky Media Award for SHANTYBOAT: A RIVER WAY OF LIFE 8 ANNA'S PAPERS Boxes (28-33), 7 linear feet The papers of Anna Wonder Eikenhout make up this series and it includes her correspondence prior to her marriage to Harlan in April 1943, her personal educational records and notes along with diaries and journals, her literary productions (published writings and unpublished works, as well as notes,) and any of her pre-1943 keepsakes. Incoming Correspondence (Oversize) Two posters for exhibit at Hanover College, March 20 - April 15, 1983 28 1. Unidentified, 1930-1942 28 2. A, 1940-1942 28 3. L'Alliance Francaise, 1936-1939 28 4. The American Library Association, 1937-1942 28 5. B, 1938-1940 28 6. R.E. Basye, 1940-1943 28 7. Broude Brothers, [1942] 28 8. C, 1933-1940 28 9. D, 1934-1940 28 10. Etta Eikenhout Price 28 11. Mr. and Mrs. John Eikenhout, 1934-1935 28 12. Mr. and Mrs. John Eikenhout, 1936 28 13. Mr. and Mrs. John Eikenhout, 1937 29 1. Mr. and Mrs. John Eikenhout, 1938 29 2. Mr. and Mrs. John Eikenhout, January-June 1939 29 3. Mr. and Mrs. John Eikenhout, July-December 1939 29 4. Mr. and Mrs. John Eikenhout, January-May 1940 29 5. Mrs. John Eikenhout, 1941-1942 29 6. Nella May Eikenhout, 1934-1935 29 7. Nella May Eikenhout, 1936 29 8. Nella May Eikenhout, 1937 29 9. Nella May Eikenhout, 1938 30 1. Nella May Eikenhout, 1939 30 2. Nella May Eikenhout, 1940 30 3. F-H, [1937-1942] 30 4. I-L, [1939-1942] 30 5. M, [1934-1939] 30 6. Magaw, 1937-1940s 30 7. Music Library Association, 1940-1942 30 8. N-P, 1935-1942 30 9. Barre Pritchett, n.d., 1934 30 10. Barre Pritchett, 1936 30 11. Barre Pritchett, 1937 31 1. Barre Pritchett, 1938 31 2. Barre Pritchett, 1939-1940 31 3. R, 1937, 1942 31 4. Francis Robinson, 1937-1939 31 5. Grace Ross, 1939-1940 31 6. S-V, 1935-1942 31 7. Special Libraries Association, 1941-1942 31 8. Lee Thiele, 1935-1942 31 9. Helen Van Ess, 1933-1939 31 10. W-Z, [1939] 31 11. Hildy Webber, 1935-1937 31 12. Hildy Webber, 1938-1940 Other Correspondence 31 13. Outgoing, 1930s 31 14. Third Party, 1936-1944 31 15. Address list, 1940s Legal and Financial Records 32 1. Birth and Baptism certificates, driver's license, 1902, 1942 32 2. Miscellaneous, 1943-1944 Journals, diaries, and notes 32 3. Journal, n.d., 1928-1930s 32 4. Journal, August-September 1944 32 5. Miscellaneous notes, 1928-1932 32 6. Miscellaneous notes, [1930s] 32 7. Miscellaneou notes, [1930s] 32 8. Canoe Log, 1942 32 9. Notes on art, [1930s] 32 10. Notes on ballet, [1930s] 32 11. Notes on music, [1930s] 32 12. Training Class, Cincinnati Public Library, 1928-1929 32 13. "Appreciation of the Arts," Cincinnati Art Museum, 1935-1936 32 14. "Appreciation of the Arts," Cincinnati Art Museum, 1935-1936 32 15. "Appreciation of the Arts," Cincinnati Art Museum, 1935-1936 32 16. "Appreciation of the Arts," Cincinnati Art Museum, 1936-1937 Literary production 32 17. Speech, [1932] 32 18. "Homes for Modern Living," BOOKLIST, 33 (May 1937), 253 32 19. Book review and notes, [1939] 32 20. Biographical sketch of Harlan Hubbard, [1940s] 32 21. Autobiographical sketch, [1950s] 32 22. "Life on a Shantyboat," LIBRARY JOURNAL (November 1, 1954), 2062, and related notes and correspondence 32 23. Autobiographical sketch, 1982 Scrapbook and ephemera NOTE: See also Box 33 32 24. Miscellaneous, 1931-1942 32 25. Items about the Cincinnati Art Museum, 1934-1941 32 26. Items about theater, [1930s] 32 27. Newsclippings, 1938-1941 32 28. Items about music, 1939-1945 32 29. Items about art and art exhibits, [1940-1941] Scrapbook, ephemera and photographs 33 (Oversize) Newsclippings 33 (Oversize) Artwork 33 (Oversize) Program for Cincinnati Symphony Artwork 33 (Oversize) Folder of sketches and projects, 1935-1937 Correspondents - Harlan and Anna Hubbard Papers 33 (Oversize) Jack and Lillian Adkins 33 (Oversize) Mr. and Mrs. Gene Akers 33 (Oversize) Gene and Anne Amyx 33 (Oversize) George F. Bartnick 33 (Oversize) Lynda Susan Bartnick 33 (Oversize) Lucian S. Bartnick 33 (Oversize) Nella May Bartnick-see Nella May Eikenhout 33 (Oversize) Peter A. Bartnick 33 (Oversize) Stanley Bartnick 33 (Oversize) Mathilde Beneker 33 (Oversize) Wendell and Tanya Berry 33 (Oversize) Bobbs-Merrill Co. 33 (Oversize) Remi Boissonnas 33 (Oversize) Anna K. Bond 33 (Oversize) Clifford Boram 33 (Oversize) Jim Brown 33 (Oversize) Bill and Rheta Caddell 33 (Oversize) Leo and Alice Cayvan, Leo and Winona Cayvan 33 (Oversize) Etta Crossley-see Etta Eikenhout 33 (Oversize) Mia McTamney Cunningham 33 (Oversize) Mary and Louie DeCarr 33 (Oversize) Dobbs, Mead & Co. 33 (Oversize) Mike and Ellen Doster 33 (Oversize) Alice and Marie Dunlap 33 (Oversize) Eakins Press-see also Harvey 33 (Oversize) Simmonds and Leslie Katz 33 (Oversize) Ann Eikenhout 33 (Oversize) Henry Eikenhout 33 (Oversize) Etta Eikenhout (Price Crossley) 33 (Oversize) Nella May Eikenhout (Bartnick) 33 (Oversize) Toni Eisenhauer 33 (Oversize) Herbert and Lucy Fall 33 (Oversize) Fred Fettig John and June Fettig 33 (Oversize) Emerson and Marilyn Foulke 33 (Oversize) Betty Gilbert-see Betty Hubbard 33 (Oversize) Paul and Alice Hadley 33 (Oversize) Harper & Row 33 (Oversize) Paul Hassfurder 33 (Oversize) Betty Heasley-see Betty Hubbard 33 (Oversize) Charles and Minnie Hoehn 33 (Oversize) Rudolf Hoehn 33 (Oversize) Betty Hubbard (Heasley Gilbert) 33 (Oversize) Diane Hubbard 33 (Oversize) Frank L. Hubbard 33 (Oversize) Frank L. Hubbard, Jr. 33 (Oversize) Janet Hubbard (Seitz) 33 (Oversize) Julie Hubbard 33 (Oversize) Lucian S. Hubbard 33 (Oversize) Polly Hubbard 33 (Oversize) Hugh and "Tiny" Hunter 33 (Oversize) Larry and Connie Jacquith 33 (Oversize) Marguerite Jorgensen 33 (Oversize) Frank and Janet Klaine 33 (Oversize) Augusta P. Knowlton (Mrs. H.A.) 33 (Oversize) Catherine "Kay" Learned 33 (Oversize) Edward and Judy Lueders 33 (Oversize) Lucille and David Magaw 33 (Oversize) Harry and Rose McTamney 33 (Oversize) Ted and Lucille Mitchell 33 (Oversize) Marcella Modisett, M.D. 33 (Oversize) Elsie Morgan 33 (Oversize) Marjorie Mundt 33 (Oversize) Gustav (Dolph) and Hannah Nelson 33 (Oversize) David and Ana (D & A) Nimiti 33 (Oversize) Lowell and Mabel "Tim" Palmer 33 (Oversize) Adella(h) K. Pew (Mrs. George H.) 33 (Oversize) Elisabeth Potts (Mrs. George) 33 (Oversize) Mabelle Powell (Mrs. Weston) 33 (Oversize) Barre Pritchett 33 (Oversize) Francis Robinson "Uncle Frank" 33 (Oversize) Dr. Robert Rosenthal 33 (Oversize) Nick Ross "Uncle Nick" 33 (Oversize) George B. Seitz, Jr. 33 (Oversize) Harvey Simmonds (Eakins Press) 33 (Oversize) Melvin and Mildred Spaets 33 (Oversize) Helen Spry 33 (Oversize) Warren and Patricia Staebler 33 (Oversize) Don and Kaaren Terrell 33 (Oversize) Art and Lee Thiele 33 (Oversize) Elwyn Tilden 33 (Oversize) University of Pittsburgh Press 33 (Oversize) University Press of Kentucky 33 (Oversize) Helen Van Ess 33 (Oversize) Rosemary Vordenberg 33 (Oversize) Don Wallis 33 (Oversize) Hildie and Robert Webber 33 (Oversize) Joanne Weeter 33 (Oversize) "Halloween," a one act play, ca. [1946-1962]. University Archives, Harlan and Anna Hubbard Papers. LITERARY WORKS AVAILABLE AT THEUNIVERSITY OF LOUISVILLE 33 (Oversize) HARLAN HUBBARD AND THE RIVER: A VISIONARY LIFE, Don Wallis, Yellow Springs, OH: OYO Press, 1989. University Archives, ND 237.H845 W35 1989. 33 (Oversize) HARLAN HUBBARD JOURNALS, 1929-1944, eds. Vincent Kohler and David F. Ward, Lexington: University Press of Kentucky, 1987. University Archives & Ekstrom Browsing ND 237.H845A2 1987. 33 (Oversize) HARLAN HUBBARD: LIFE AND WORK, Wendell Berry, Lexington: University Press of Kentucky, 1990. University Archives & Ekstrom Browsing NX 512.H82 B47 1990. 33 (Oversize) "A Hubbard Manuscript," privately printed. University Archives, Harlan and Anna Hubbard Papers. 33 (Oversize) "O Little Town of Bethlehem," COURIER-JOURNAL MAGAZINE, November 6, 1955. (A copy is in University Archives, Harlan and Anna Hubbard Papers. 33 (Oversize) "On the Fringe of Society," a speech at Indiana University Southeast, April 6, 1978, University Archives, Harlan and Anna Hubbard Papers. 33 (Oversize) OYO: AN OHIO RIVER ANTHOLOGY, ed. Don Wallis, art by Harlan Hubbard, vol. 1, MOVEMENT AND PLACE, 1987; vol. 2, RIVER JOURNEYS, 1988; vol. 3, RIVER LIVES, 1990; Yellow Springs, OH: OYO Press. University Archives, F 516.O96, v. 1, 2, 3. 33 (Oversize) "Payne Hollow," KENTUCKY CENTER FOR THE ARTS OPENING NIGHT, NOVEMBER 19, 1983, Louisville, KY: Nana Publications, 1983, 66. University Archives, Harlan and Anna Hubbard Papers. 33 (Oversize) PAYNE HOLLOW: LIFE ON THE FRINGE OF SOCIETY, Frankfort, KY: Gnomon Press, 1974. University Archives, F 456.2.H82 1974. 33 (Oversize) SHANTYBOAT: A RIVER WAY OF LIFE, Lexington: University Press of Kentucky, 1977, 1977. Ekstrom Stacks & University Archives, GV 836.H8 1977. 33 (Oversize) SHANTYBOAT JOURNAL, ed. Don Wallis, Lexington: University of Kentucky Press, 1994. University Archives, F 354.H73 1994. 33 (Oversize) SHANTYBOAT ON THE BAYOUS, Lexington: University Press of Kentucky, 1990. University Archives & Ekstrom Browsing, F 379.N54 H83 1990. 33 (Oversize) "Trading Boat," n.d., University Archives, Harlan and Anna Hubbard Papers. 33 (Oversize) VALLEUSE DE PAYNE, translated by Remi Biossonnas, 1986. 33 (Oversize) THE WOODCUTS OF HARLAN HUBBARD: FROM THE COLLECTION OF BILL CADDELL, foreword by Wendell Berry, Lexington: University of Kentucky Press, 1994. University Archives Temporary Control #AFP3426 33 (Oversize) See also: A DAY IN THE LIFE OF AMERICA, Rick Smolan, David Cohen, and Leslie Smolan, eds., New York: Collins Publishing, 1986. Art Library, E169.04 D38 1986. (Includes a photograph of Payne Hollow.) 33 (Oversize) THE OHIO RIVER, John Ed Pearce, Lexington: University of Kentucky Press, 1989, 134-135. University Archives and Photographic Archives, F 516.P33 1988. 33 (Oversize) TIME, LIKE AN EVER-ROLLING STREAM: A SEQUEL TO THE RAGGED WORLD, Judith Moffett, New York: St. Martin's Press, 1992. Ekstrom Stacks PS 3563.029 T5 1992. (Author used Harlan and Anna Hubbard as models for two of the characters in the book.) 34 1. Miscellaneous notes and journal entries, no date 34 2. French words and quotations, no date 34 3. Miscellaneous notes and journal entries, 1928 34 4. Journal - Kayak trip on Ohio River, July 1928 34 5. Canoe trip log, August 1933 34 6. Canoe trip log, Kentucky River, 1934 34 7. Miscellaneous notes and journal entries, July 1935 34 8. Canoe trip log books, #1 and #2, 1935 34 9. Canoe trip log, recopied by Anna Hubbard, [September 1935] 34 10. Canoe trip log, Kanawha River, original and recopied by Anna Hubbard, [September 1935] 34 11. Canoe trip log, 1936 34 12. Canoe trip log, recopied by Anna Hubbard, November 1943 34 13. Three small notebook journals, February 22 - April 2 April 3 - May 24, and October 5 - November 19, 1994. 34 14. Michigan log books, #1 and #2, June 1944 34 15. Michigan log, recopied by Anna Hubbard, June 1944 34 16. Journal, November 6, 1944 - December 31, 1945 34 17. Journal, January 1, 1946 - February 17, 1947 34 18. Journal, February - December 1947 34 19. Journal, December 24, 1947 - August 19, 1949 34 20. Journal, August 21, 1949 - December 2, 1950 34 21. Journal, December 3, 1950 - July 1, 1951 34 22. Miscellaneous journal entries and letters, October 1983 - March 1984, July 1984 34 23. Journal, typescript, with notes by Don Wallis, 1929-1931 34 24. Journal, typescript, with notes by Don Wallis, 1932 34 25. Journal, typescript, with notes by Don Wallis, 1933-1934 34 26. Journal, typescript, with notes by Don Wallis, 1935 34 27. Journal, typescript, with notes by Don Wallis, 1936 34 28. Journal, typescript, with notes by Don Wallis, 1937-1938 34 29. Journal, typescript, with notes by Don Wallis, 1940-1943 34 30. Journal, typescript, with notes by Don Wallis, 1944 (two copies) 34 31. Journal, typescript, with notes by Don Wallis, March - December 1945 34 32. Journal, typescript, with notes by Don Wallis, 1945 34 33. Journal, typescript, with notes by Don Wallis, 1946 34 34. Journal, typescript, with notes by Don Wallis, 1947 (incomplete) 34 35. Journal, typescript, with notes by Don Wallis, 1947 34 36. Journal, typescript, with notes by Don Wallis, 1948 35 1. Journal, typescript, with notes by Don Wallis, 1952 35 2. Journal, typescript, with notes by Don Wallis, 1953 35 3. Journal, typescript, with notes by Don Wallis, 1954 35 4. Journal, typescript, with notes by Don Wallis, 1955 35 5. Journal, typescript, with notes by Don Wallis, 1956 35 6. Journal, typescript, with notes by Don Wallis, 1957-1960 35 7. Journal, typescript, with notes by Don Wallis, 1961 35 8. Journal, typescript, with notes by Don Wallis, 1962 35 9. Journal, typescript, with notes by Don Wallis, 1963 35 10. Journal, typescript, with notes by Don Wallis, 1964 35 11. Journal, typescript, with notes by Don Wallis, 1965 35 12. Journal, typescript, with notes by Don Wallis, 1966 35 13. "The Journal of Harlan Hubbard," photocopy of Anna's transcription of the original, no date 35 14. "Uncle Jim's Trading Post," rewrite I, no date 35 15. "The Trading Post," notes and photo, no date 35 16. "The Trading Post," final version, typed manuscript [1970s] 9 ORAL HISTORY INTERVIEWS 11 Interviews These are oral history interviews concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discussed his collaboration and life with his late wife, Anna Eikenhout Hubbard. Hubbard was interviewed by historian Joanne Weeter. 35 1. Harlan Hubbard Interview by Joanne Weeter, 1987-06-15 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 2. Harlan Hubbard Interview by Joanne Weeter, 1987-06-29 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 3. Harlan Hubbard Interview by Joanne Weeter , 1987-07-14 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 4. Harlan Hubbard Interview by Joanne Weeter, 1987-07-08 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 5. Harlan Hubbard Interview by Joanne Weeter, 1987-07-14 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 6. Harlan Hubbard Interview by Joanne Weeter, 1987-08-17 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 7. Harlan Hubbard Interview by Joanne Weeter, 1987-09-24 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 8. Harlan Hubbard Interview by Joanne Weeter, 1987-09-24 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 9. Harlan Hubbard Interview by Joanne Weeter, 1987-09-28 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 10. Harlan Hubbard Interview by Joanne Weeter, 1987-09-28 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard. 35 11. Harlan Hubbard Interview by Joanne Weeter, 1987-10-01 [view transcript] This is an oral history interview concerning Hubbard's life and career as a naturalist, writer, and painter. Hubbard also discusses his collaboration and life with his late wife, Anna Eikenhout Hubbard.